Tag Archives: Taron Egerton

Robin Hood (2018) Review

MISSES THE TARGET


 

The man, the myth, the legend of Robin Hood. Derived from English folklore (most notably in the Late Middle Ages), Robin Hood is a heroic outlaw from literature, who (as the story goes) was from noble birth and fought during the Crusades before returning to England to find his lands taken by the sheriff, which made him turn against the greedy aristocracy of England and “rob from the rich and give to the poor”. It has also been said that he is highly skilled archer and a swordsman as well as being traditionally depicted in green garb. In addition, through its countless retellings and variations, familiar additions have been added to the Robin Hood lore, including a love interest with the fair lady Maid Marian, his band of outlaws “The Merry Men” (who live in Sherwood Forest), and his main antagonist the Sheriff of Nottingham or even sometimes in association with Prince John (in usurping the rightful but absent King of England (King Richard III), to whom Robin Hood remains loyal. While some tales are more extravagant than others, the common theme that runs through all is the character of Robin Hood is a sort of “champion” of the common people, fighting against the “injustice” in England, while remaining loyal to its rightful ruler. Thus, given his popularity in folklore and in the literary world, it came as no surprise that Hollywood would want to delve in the Robin Hood myth and project that image onto the silver screen. Throughout the years, there have been many adaptations (both live-action and cartoon series meant for the big and small screen, including 1943’s The Adventures of Robin Hood (starring Errol Flynn), Disney 1973’s animated feature Robin Hood, 1991’s Robin Hood: The Prince of Thieves (starring Kevin Costner, Alan Rickman, and Morgan Freeman), Mel Brook’s comedic representation in 1993’s Robin Hood: Men in Tights, the BBC’s TV series Robin Hood (2006-2009), and Ridley Scott’s 2010 epic prequel Robin Hood, and many others. Now, Summit Entertainment (Lionsgate) and director Otto Bathurst present the newest cinematic iteration of the folklore outlaw hero with the 2018 movie titled Robin Hood. Does this movie add a new layer to the every-growing Robin Hood myth or does it completely flounder and miss its intended target? Read more

Kingsman: The Golden Circle (2017) Review

 A SOLID SEQUEL THAT SHINES

(NOT BURNS)


 

Back in 2015, moviegoers everywhere were introduced to director Matthew Vaughan’s visual spy action film Kingsman: The Secret Service. Adapted from the graphic novel Kingsman by Mark Millar (writer) and Dave Gibbons (artist), the film, which starred Taron Egerton, Colin Firth, Mark Strong, Samuel L. Jackson, and Michael Caine, follows the journey of troubled youth Gary “Eggsy” Urwin as he gets recruited into the Kingsman, a British secret agent organization, and joins a mission to stop a global threat from the nefarious megalomaniac Richmond Valentine. Deriving from its comic book source material and Vaughan’s overall direction, Kingsman: The Secret Service was presented as a 007 spy satire, offering up a visual action-spy feature film with a splash of stylized violence. This mixture seemed does seem like an odd choice, but the film benefitted, with the movie getting praised from critics and casual moviegoers as Kingsman: The Secret Service grossed over $400 million worldwide ($411 million to be exact) against its production budget of $94 million. With its success, it was inevitable that a sequel would soon followed. Now, after two years since its released, 205h Century Fox and director Matthew Vaughan return to the Kingsman world with its sequel Kingsman: The Golden Circle. Does this next chapter proved to be a worthy sequel to its predecessor or it’s a overstuffed and unnecessary continuation? Read more

Legend Review

A GANGSTER “DOUBLE TROUBLE”


 

Gangster (or Mob) films have become commonplace in Hollywood as well as in the history of movie making. Whether the usage of familiar staples of gangsters, kingpins, mobsters, henchmen, money, police, and crime waves, the allure and overall fascination has been depicted in many variations, some stereotypical in nature, while others try to reinvent themselves in the “mobster” genre. Films like Goodfellas, Scarface, The Godfather (all three movies), and Pulp Fiction have become classic “fan-favorites” of the genre as newer films join its ever-growing body, including The Departed, Black Mass, and Public Enemy. Now director Brian Helgeland and actor Tom Hardy bring the newest gangster film to life in the cinematic retelling of the “The Kray Twins” in the movie Legend. Does this film have the “guts” to stand toe-to-toe with its mobster genre “betters” or is it a movie that should swim with the “fishes”. Read more

Eddie The Eagle Review

EDDIE FLIES HIGH


 

There’s something just unique about watching a “Feel Good “movie. The often follow an underdog character and take viewers down their road, experiencing and bombardment of trials and tribulations along the way before reaching a rousing triumphant ending, which ultimately will leave you (the viewer) feeling great. In addition, these movies, which most (if not most) are base-on-a-true-story, are usually inspirational, showcasing several common threads off expression individuality, facing personal challenges, and inspiring others in their footsteps. Whether true or fictional, “Feel Good” movies are always treasured treat to watch. Now 20th Century Fox and director Dexter Fletcher brings you the newest “Feel Good” movie of 2016 with the film Eddie the Eagle. Does this movie soar high or fall flat on its face? Read more

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