Tag Archives: Hugo Weaving

Mortal Engines (2018) Review

A VISUAL (YET PREPLEXINGLY BLAND)

DYSTOPIAN EPIC


 

Director Peter Jackson has quickly become a recognizable name in Hollywood. The New Zealand born native began his film career by developing horror-ish comedy features like 1987’s Bad Taste and 1989’s Meet the Feebles before heading into other venues, including 1992’s zombie comedy Braindead and 1995’s the psychological drama Heavenly Creatures. While those particular feature films were created by him and gave him some credibility as a film director, Jackson’s career didn’t skyrocket off until he was given the opportunity to direct The Lord of the Rings trilogy; a cinematic adaptation of J.R.R. Tolkien’s fantasy epic. Acting as a passion project, Jackson helmed not one, not two, but three feature films (consisting of the three installments of Tolkien’s novelized trilogy of Hobbits, Elves, Orcs, Wizards, and the Ring of Power). To his credit, Jackson succeeded in bringing Tolkien’s immersive fantasy world to the big screen with the releases of The Fellowship of the Ring in 2001, The Two Towers in 2002, and The Return of the King in 2003, creating a massively huge fans base amongst moviegoers everywhere and universal acclaim. From there, Jackson worked on other projects such as 2005 remake of King Kong and 2009’s supernatural drama The Lovely Bones before returning back to Tolkien’s fantasy world once again to create The Hobbit trilogy; a cinematic three film adaptation of Tolkien’s prequel installment to The Lord of the Rings (i.e. An Unexpected Journey in 2012, The Desolation of Smaug in 2013, and The Battle of the Five Armies in 2014). In addition to his directorial work, Jackson has also dabbled in being a screenplay writer (for several of his directorial projects) as well as acting as a producer for several movies, including 2009’s small-scale sci-fi drama District 9, 2011’s animated feature The Adventure of Tintin: The Secret of the Unicorn, and 2012’s documentary film West of Memphis. Now, Universal Pictures (and Jackson’s Wingnut Films) and director Christian Rivers presents the latest big-budgeted epic motion picture (with Jackson producing the feature) with the movie Mortal Engines, based on the book of the same name by Phillip Reeve. Does this movie find its cinematic footing within its immersive world or does it flounder within its lofty ideas and barrage of CG visuals? Read more

Captain America: The First Avenger Review

I’M JUST A KID FROM BROOKLYN


 

Yes, it’s almost here. The start of Marvel’s Phase III saga in their cinematic universe is about to begin very soon, beginning with Captain America: Civil War. With a lot of inherit hype to the project, expectations for this movie are through the roof. That being said, before venturing off to see Civil War and declaring your side (Captain America or Iron Man), let’s go back and review Steve Roger’s first cinematic adventure (before he became “the man out of time”) with the movie Captain America: The First Avenger. Was it a Marvel origin story worth doing or what is a hodgepodge of being superhero aesthetics with a WWII backdrop? Read more