A HUMOROUS SATRICAL ROM-COM
With Hollywood studios investing money in big-budgeted tentpole features or in smaller scale artistic films (ones that are worthy of Oscar / award nominations), the subgenre of romantic comedies is left somewhere in the middle of those two extreme juggernaut film genres. Naturally, romantic comedies movies, which are both a subgenre to both the romance and comedy movie genres, have been around for quite some time; featuring a motion pictures with light-hearted, humorous, and dramatic stories that are usually centered around romantic nuances (i.e. such as “true love” and are able to tackle problematic obstacles (be it family, friends, or some unseen challenge). Additionally, like many films from other genres, romantic comedies can range from a wild array of styles; pulling from other movie genres in order to try to appeal to a “wider” audience. Some classic romantic comedy film endeavors include 1940’s The Philadelphia Story, 1953’s Roman Holiday, 1961’s Breakfast at Tiffany’s, 1987’s The Princess Bride, 1989’s When Harry Met Sally, 2007’s Waitress, 2017’s Big Sick, and 2018’s Crazy Rich Asians. Now, New Line Cinema (under the umbrella banner of Warner Bros. Pictures) prepares to take a satirical look at this particular genre with the film Isn’t It Romantic. Is this parody romantic comedy worth a glance or is it a flat and uninteresting comically jab at rom-coms? Read more
The epic conclusion is drawing near as Marvel Studios releases the second official trailer for the highly anticapted superhero movie Avengers: Endgame. View trailer below. Read more
A “whole new world” indeed ass Walt Disney Studios releases the official trailer for their upcoming live action remake film of Aladdin. View trailer below. Read more
HIGHER. FURTHER. FASTER.
The Marvel Cinematic Universe (i.e. the MCU) has indeed become a dominant force in both the superhero genre of filmmaking as well as cinematic blockbusters genre. Since the franchise began back in 2008, the MCU has quite literally ascended to popular movie franchise stardom, producing a continuing narrative of interconnected superhero feature films (all from which are comic book source material properties from Marvel comics) within a shared movie universe. With each new entry, the MCU has grown in size (expanding its own universe of heroes, gods, and monsters) as well as providing a blockbuster-ish superhero fantasy escapism for moviegoers around the world. Naturally, the franchise itself has proven to be a powerhouse juggernaut, cultivating large successful numbers at the box office with every entry, which demonstrate the mass appeal of costumed comic book heroes and the need for continuing the various MCU phase sagas in continuing already established ones as well as new ones to fill in the roster. Now, Marvel Studios and directors Ryan Fleck and Anna Boden gear up for the 21st theatrical motion picture installment of the MCU with the movie Captain Marvel. Is the movie “simple marvelous” or is it just a flat and uninspiring entry in the long-running cinematic universe? Read more
ANOTHER SIDE, ANOTHER STORY
Within many of the movie genres of cinematic tales, the subgenre of the commonly named “period pieces” have always been produced throughout the years of filmmaking; spinning different stories that place in “another time” and “another place” for the modern world. These particular feature films, which span multiple genres (i.e adventure, comedy, horror, thriller, fantasy, etc.), can also speak to historical reference in both a general sense of timeline era (i.e England’s Victorian era or the American Revolution) as well as vague period era (i.e the Middle Ages or the “roaring 20s”). Regardless, a heavy emphasis on the film’s time period is a crucial element of the movie’s narrative setting from its historical references and influences in various categories, including religious belief, political structures, society order / stasis, and costume attires. Thus, these period piece cinematic productions cast a very wide net across the theatrical features that Hollywood has produced over the years, including 1959’s ancient world epic Ben-Hur (as well as 1956’s The Ten Commandments), 1972’s and 1974’s mafia gangster masterpieces of the Godfather and the Godfather Part II, 1997’s sweeping tale romance and loss in Titanic, to 2012’s lavishing story of love and betrayal in Anna Karenina just to name a few. Now, Focus Features and directorial Josie Rourke present the latest Hollywood endeavor of a historical costume period piece with the movie Mary Queen of Scots. Does this shed new light on the famous “Queen of Scots” character or is it just another humdrum / adequate of motion picture from current Hollywood? Read more